한국해양대학교

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근대 상해 도시문화 연구

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dc.contributor.author 왕정정 -
dc.date.accessioned 2017-02-22T05:54:08Z -
dc.date.available 2017-02-22T05:54:08Z -
dc.date.issued 2009 -
dc.date.submitted 56904-11-11 -
dc.identifier.uri http://kmou.dcollection.net/jsp/common/DcLoOrgPer.jsp?sItemId=000002174697 ko_KR
dc.identifier.uri http://repository.kmou.ac.kr/handle/2014.oak/8771 -
dc.description.abstract &#24403 -
dc.description.abstract 系。 -
dc.description.abstract 存在着&#20851 -
dc.description.abstract &#30830 -
dc.description.abstract 二者之&#38388 -
dc.description.abstract ,但也要牢&#35760 -
dc.description.abstract 一&#35848 -
dc.description.abstract 句混&#20026 -
dc.description.abstract 描述城市的&#35789 -
dc.description.abstract 不能把城市本身&#19982 -
dc.description.abstract 城市的表&#29616 -
dc.description.abstract 度以及&#23545 -
dc.description.abstract 城市的&#24577 -
dc.description.abstract 系、&#23545 -
dc.description.abstract 城市的&#20851 -
dc.description.abstract 着作家&#19982 -
dc.description.abstract 影&#21709 -
dc.description.abstract ,&#36825 -
dc.description.abstract 、文化背景和文化身&#20221 -
dc.description.abstract &#39564 -
dc.description.abstract 、生命&#20307 -
dc.description.abstract &#21382 -
dc.description.abstract 的生活&#32463 -
dc.description.abstract &#20307 -
dc.description.abstract 到作家&#20010 -
dc.description.abstract 考&#34385 -
dc.description.abstract 必&#39035 -
dc.description.abstract ,我&#20204 -
dc.description.abstract 形象&#26102 -
dc.description.abstract 城市的文&#23398 -
dc.description.abstract 人的生活,看透了上海的殖民性。 因此,在解&#35835 -
dc.description.abstract 的&#31351 -
dc.description.abstract 最下&#23618 -
dc.description.abstract 注着社&#20250 -
dc.description.abstract &#20851 -
dc.description.abstract 暗面。他&#20204 -
dc.description.abstract 注着上海的&#38452 -
dc.description.abstract 象,更&#20851 -
dc.description.abstract 等&#29616 -
dc.description.abstract 夫、黑&#24110 -
dc.description.abstract 妓女、人力&#36710 -
dc.description.abstract 描&#20889 -
dc.description.abstract ,通&#36807 -
dc.description.abstract 浮&#21326 -
dc.description.abstract 城市上海的表&#23618 -
dc.description.abstract 作透&#36807 -
dc.description.abstract 的景象。但是大部分的&#38889 -
dc.description.abstract 等一片繁&#21326 -
dc.description.abstract &#40857 -
dc.description.abstract 水&#39532 -
dc.description.abstract 大厦、&#36710 -
dc.description.abstract 在第一眼看到的是上海的高&#27004 -
dc.description.abstract 望的世界。他&#20204 -
dc.description.abstract 的&#32477 -
dc.description.abstract &#38505 -
dc.description.abstract 暴、&#38452 -
dc.description.abstract 困、&#27531 -
dc.description.abstract 了&#36139 -
dc.description.abstract 也是一&#20010 -
dc.description.abstract 代、自由的世界,同&#26102 -
dc.description.abstract 、&#29616 -
dc.description.abstract 希望的繁&#21326 -
dc.description.abstract 充&#28385 -
dc.description.abstract 下是一&#20010 -
dc.description.abstract 作家的&#31508 -
dc.description.abstract 的城市在&#38889 -
dc.description.abstract &#24322 -
dc.description.abstract 美而悲凉的都市。 上海作&#20026 -
dc.description.abstract 一&#20010 -
dc.description.abstract 下成&#20026 -
dc.description.abstract 玲的&#31508 -
dc.description.abstract 落、腐朽在&#24352 -
dc.description.abstract 些&#27809 -
dc.description.abstract 落,看到了老上海的腐朽和庸俗,只是&#36825 -
dc.description.abstract 式家族的&#27809 -
dc.description.abstract 里看到了&#26087 -
dc.description.abstract 的小&#35828 -
dc.description.abstract &#22905 -
dc.description.abstract &#20174 -
dc.description.abstract 精致。我&#20204 -
dc.description.abstract 美、&#24456 -
dc.description.abstract &#21326 -
dc.description.abstract 得&#24456 -
dc.description.abstract 西都&#20889 -
dc.description.abstract 多&#19996 -
dc.description.abstract 把&#35768 -
dc.description.abstract 感到憎恨,&#22905 -
dc.description.abstract 我&#20204 -
dc.description.abstract 理道德色彩,也不&#35753 -
dc.description.abstract ”的&#20262 -
dc.description.abstract 有“&#24694 -
dc.description.abstract &#27809 -
dc.description.abstract &#24182 -
dc.description.abstract 空&#38388 -
dc.description.abstract 下的人物活&#21160 -
dc.description.abstract &#31508 -
dc.description.abstract 的凡俗和平常,&#22905 -
dc.description.abstract 的上海是那&#26679 -
dc.description.abstract &#20889 -
dc.description.abstract 色,&#22905 -
dc.description.abstract 光&#30005 -
dc.description.abstract 上海的&#22768 -
dc.description.abstract 不刻意去表&#29616 -
dc.description.abstract 玲&#24182 -
dc.description.abstract “造在地域上的天堂”。 &#24352 -
dc.description.abstract 建的老上海只能是一&#20010 -
dc.description.abstract 派所&#26500 -
dc.description.abstract 如何目迷五色,新感&#35273 -
dc.description.abstract 物理空&#38388 -
dc.description.abstract ,于是,不&#35770 -
dc.description.abstract 惑力量使上海在欲望中走向深&#28170 -
dc.description.abstract 落,再加上都市“都市尤物”的&#35825 -
dc.description.abstract 和&#22549 -
dc.description.abstract &#31351 -
dc.description.abstract 下埋藏着&#36139 -
dc.description.abstract ,上海表面的繁&#21326 -
dc.description.abstract &#30115 -
dc.description.abstract 着文明的&#36184 -
dc.description.abstract 里流&#21160 -
dc.description.abstract 下的上海的血&#33033 -
dc.description.abstract 派&#31508 -
dc.description.abstract 下的上海形象。新感&#35273 -
dc.description.abstract 系、城市中的小市民等角度剖析了中&#22269 -
dc.description.abstract 、女性、家庭&#20851 -
dc.description.abstract 城市空&#38388 -
dc.description.abstract 中,通&#36807 -
dc.description.abstract 玲的小&#35828 -
dc.description.abstract 和分析。 本文在新感&#35273 -
dc.description.abstract 行了比&#36739 -
dc.description.abstract 同&#36827 -
dc.description.abstract 老上海形象的&#24322 -
dc.description.abstract &#23545 -
dc.description.abstract 下不同的老上海形象,&#24182 -
dc.description.abstract 作家&#31508 -
dc.description.abstract 分析了中&#38889 -
dc.description.abstract 中心,分&#21035 -
dc.description.abstract 中的城市&#20026 -
dc.description.abstract 主,以文&#23398 -
dc.description.abstract 象,以文本分析&#20026 -
dc.description.abstract 究&#23545 -
dc.description.abstract &#30740 -
dc.description.abstract 作家作品中的老上海形象&#20026 -
dc.description.abstract 前半在上海的&#38889 -
dc.description.abstract 作家以及19世&#32426 -
dc.description.abstract 代表的中&#22269 -
dc.description.abstract 玲&#20026 -
dc.description.abstract &#29233 -
dc.description.abstract 派和&#24352 -
dc.description.abstract 取了新感&#35273 -
dc.description.abstract 文&#36873 -
dc.description.abstract 此,本&#35770 -
dc.description.abstract 。 &#20026 -
dc.description.abstract 看到的中&#22269 -
dc.description.abstract 者也可以了解到他&#20204 -
dc.description.abstract &#38889 -
dc.description.abstract 了&#35753 -
dc.description.abstract ,共同的目的是&#20026 -
dc.description.abstract 作品中描&#32472 -
dc.description.abstract ,在文&#23398 -
dc.description.abstract 中&#22269 -
dc.description.abstract &#24405 -
dc.description.abstract 利用文字&#35760 -
dc.description.abstract ,他&#20204 -
dc.description.abstract 到中&#22269 -
dc.description.abstract 文人&#26469 -
dc.description.abstract 多&#38889 -
dc.description.abstract ,&#35768 -
dc.description.abstract 史命&#36816 -
dc.description.abstract 了相似的&#21382 -
dc.description.abstract 都面&#20020 -
dc.description.abstract 以后,&#20004 -
dc.description.abstract 19世&#32426 -
dc.description.abstract 繁。自&#20174 -
dc.description.abstract &#39057 -
dc.description.abstract 也&#24456 -
dc.description.abstract 的交流和影&#21709 -
dc.description.abstract 多相似的地方,&#20004 -
dc.description.abstract 于儒家文化圈,在文化上有着&#35832 -
dc.description.abstract 都&#23646 -
dc.description.abstract 自古以&#26469 -
dc.description.abstract &#22269 -
dc.description.abstract &#20004 -
dc.description.abstract 。中&#38889 -
dc.description.abstract &#35835 -
dc.description.abstract 要被&#38405 -
dc.description.abstract 述,也&#35768 -
dc.description.abstract 需要被&#21465 -
dc.description.abstract 形象。 城市&#26082 -
dc.description.abstract 而塑造出同一城市的不同文&#23398 -
dc.description.abstract 注的焦点,&#20174 -
dc.description.abstract 度和&#20851 -
dc.description.abstract 城市,不同的作家有不同的&#24577 -
dc.description.abstract 同一&#20010 -
dc.description.abstract 制。面&#23545 -
dc.description.abstract ”,而非&#22797 -
dc.description.abstract 城市的“再&#29616 -
dc.description.abstract &#23454 -
dc.description.abstract 是&#23545 -
dc.description.abstract 城市)”,&#23427 -
dc.description.abstract 城市(文&#23398 -
dc.description.abstract &#35789 -
dc.description.abstract 的“&#35821 -
dc.description.abstract 造出&#26469 -
dc.description.abstract 由文本&#21019 -
dc.description.abstract &#32463 -
dc.description.abstract 中的城市是一&#20010 -
dc.description.abstract 。但文&#23398 -
dc.description.abstract 象的反&#24212 -
dc.description.abstract 和文化&#29616 -
dc.description.abstract &#39064 -
dc.description.abstract &#38382 -
dc.description.abstract 段社&#20250 -
dc.description.abstract 代化各&#38454 -
dc.description.abstract &#29616 -
dc.description.abstract 家&#23545 -
dc.description.abstract 了文&#23398 -
dc.description.abstract ,表&#29616 -
dc.description.abstract 美主&#39064 -
dc.description.abstract 立的&#23457 -
dc.description.abstract &#29420 -
dc.description.abstract 中,城市成&#20026 -
dc.description.abstract 。在19、20世&#32426 -
dc.description.abstract 越重要的主&#39064 -
dc.description.abstract 中越&#26469 -
dc.description.abstract 文&#23398 -
dc.description.abstract 成&#20026 -
dc.description.abstract 期,城市逐&#28176 -
dc.description.abstract 入城市化&#26102 -
dc.description.abstract &#36827 -
dc.description.abstract 人&#31867 -
dc.description.tableofcontents 제1장 서론 = 1 제1절 도시문화연구의 의미 = 1 1. 문학과 도시 = 1 2. 현실적 도시 와 문학적 도시 = 2 제2절 선행연구 = 4 제3절 연구방법 = 8 제2장 20세기 전반기 상해 모습 = 11 제1절 도시의 화려함 = 11 제2절 뒷골목의 빈곤 = 15 1. 석고문 = 15 2. 집주인(大房東), 둘째 옥주(二房東, 전전세), 셋방살이(三房客) = 19 제3장 중국작품 속의 상해 = 22 제1절 상해의 작가 = 22 제2절 도시공간 = 24 1. 거리공간 = 24 2. 거실공간 = 27 제3절 여성 = 28 제4절 가정 = 30 제5절 소시민과 빈곤 = 33 제4장 한국작품 속의 상해 = 36 제1절 상해의 조선인 = 36 제2절 조계와 국제도시 = 39 제3절 여성 = 42 제4절 빈곤과 암흑의 도시 = 45 제5장 결론 = 50 제1절 相同의 이미지 = 50 제2절 相異의 이미지 = 52 참고문헌 = 56 -
dc.language kor -
dc.publisher 한국해양대학교 대학원 -
dc.title 근대 상해 도시문화 연구 -
dc.title.alternative 중국작가와 한국작가의 상해도시 이미지 -
dc.type Thesis -
dc.date.awarded 2009-02 -
dc.contributor.alternativeName Wang -
dc.contributor.alternativeName Ting Ting -
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동아시아학과 > Thesis
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